must use my references list:
Dong, L., & Haruna, M., 2012. The Practice of Urban Renewal Based on Creative Industry: Experience from the Huangjueping Creative Industries in Chongqing-China. Journal of Sustainable Development, 5(5), p101.
Havens, T. R., 2014. Artist and patron in postwar Japan: Dance, music, theater, and the visual arts, 1955-1980. Princeton University Press.
Kenworthy, B., 2002. Public funding of controversial art. [online] Available at: < http://www.firstamendmentcenter.org/public-funding-of-controversial-art> [Accessed 20 November 2015]
Lindsay, J., 1995. Cultural policy and the performing arts in Southeast Asia. Bijdragen tot de taal-, land-en volkenkunde, 656-671.
National Assembly of State Arts Agencies, 2014. Why Should Government Support The Arts? [online] Available at <http://www.nasaa-arts.org/Advocacy/Advocacy-Tools/Why-Government-Support/WhyGovSupport.pdf> [Accessed 20 November 2015].
The Hertage Foundation, 1997. Ten Good Reasons to Eliminate Funding for the National Endowment or the Arts. [online] Available at <http://www.heritage.org/research/reports/1997/04/bg1110-ten-good-reasons-to-eliminate-funding-for-the-nea> [Accessed 20 November 2015].
Wilkerson, M.,2012. Using the Arts to Pay for the Arts: A Proposed New Public Funding Model. The Journal of Arts Management, Law, and Society, 42(3), 103-115.
Xiang, H. Y., & Walker, P. A., 2014. China Cultural and Creative Industries Reports 2013. Springer.
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